I recently had the opportunity to attend a marvelous performance of the Sistine Chapel Choir in the Basilica of the National Shrine of the Immaculate Conception in Washington, D.C. This was the first visit of the choir, one of the oldest in the world, to the United States in over thirty years, and was sponsored in part by the National Shrine, The Catholic University of America, and the latter’s new Catholic Arts Council.  After I arrived, I noticed that it was not long before the nave of the Basilica was filled to capacity. The time before the performance afforded me the opportunity for private prayer and reflection. As I looked around the church, I was awed by the works of art surrounding me and, despite the growing crowd, could sense the spiritual beauty and ambient serenity characteristic of God’s House.
 
The concert itself was no less awe-inspiring. While the choir’s reputation and skill preceded it, from the very first note, I found myself enraptured by a beauty like no other. The sacred notes were uplifting yet never overpowering, as if they were directing our focus away to something greater. Listening to the notes being individually pronounced captivated the congregation and invited the audience to be placed in a calming yet spiritually-driven mindset. Each work called our attention to God, His works, and His eternal presence. The Catholic Church recognizes music’s beautiful and historic role in the liturgy as an invitation to participate in the mystery of God Himself. As Pope Francis said in his Address to Participants in the International Conference on Sacred Music, “Sacred music and liturgical chant have the task of giving us a sense of the glory of God, of his beauty, of his holiness which wraps us in a ‘luminous cloud.’”
 
Think about the psalms prayed at Mass each day. They are ancient prayers the Church has preserved in Her liturgies! In the psalms, the people of God are able to express the full range of their emotions to Him, such as their joys (like Psalms 98 and 100), sorrows (like Psalms 69 and 88), exhaustion (like Psalm 6), uncertainty (like Psalm 23), and even abandonment (like Psalm 22). The psalms are not simply performances; they convey, guide, and evoke an emotional response from the people of God back to Him Who is the focus of the entire liturgy. By extension, the other hymns we sing at Mass should move us to participate more fully in the liturgy rather than passively watch the processions and preparation of the altar—the Mass is not meant to be watched like a secular performance! Pope Francis expands upon this, saying,

 [Sacred Music] is therefore firstly a matter of intense participation in the Mystery of God, in the “theophany” that occurs in each Eucharistic celebration, in which the Lord manifests himself in the midst of his people... Active and conscious participation consists, therefore, in knowing how to enter profoundly into this mystery, in knowing how to contemplate, adore and welcome it, in grasping its sense, thanks in particular to religious silence and to the ‘musicality of the language with which the Lord speaks to us.’
 
Hymns have also been recognized by the Church as an effective means of catechizing the faithful, including the youth. Pope Francis continued, “The various key figures in this sphere, musicians, composers, conductors and choristers of the scholae cantorum, with liturgical coordinators, can make a precious contribution to the renewal, especially in qualitative terms, of sacred music and of liturgical chant.” The works that are crafted by their hands can indeed be a beautiful means of engaging those whose ears the notes fall upon. But in order to be truly esteemed as noble and sacred, they must be holy. “In order to foster this development,” Pope Francis said, “an appropriate musical formation must be promoted, even of those who are preparing to become priests, in a dialogue with the musical trends of our time, with the inclusion of different cultural areas and with an ecumenical approach.”

The next time you hear music at Mass, I suggest uniting your voice with the cantor as a prayer to God. The act of doing so invites us to offer to God a part of ourselves that we may regularly try to keep private. Done reverently, it becomes an offering of love to our Lord, as Pope Benedict XVI observed:

The singing of the Church comes ultimately out of love. It is the utter depth of love that produces the singing. “Cantare amantis est”, says St. Augustine, singing is a lover’s thing. In so saying, we come again to the trinitarian interpretation of Church music. The Holy Spirit is love, and it is he who produces the singing. He is the Spirit of Christ, the Spirit who draws us into love for Christ and so leads to the Father.
 
Questions for Reflection: How can music impact your experience of the liturgy or of God? Can you remember a time when music helped deepen your faith?

Hallelujah!
Praise God in his holy sanctuary; give praise in the mighty dome of heaven.
Give praise for his mighty deeds, praise him for his great majesty.
Give praise with blasts upon the horn, praise him with harp and lyre.
Give praise with tambourines and dance, praise him with strings and pipes.
Give praise with crashing cymbals, praise him with sounding cymbals.
Let everything that has breath give praise to the LORD!
Hallelujah!
- Psalm 150

Back in high school, my primary extracurricular activities were band and drama club. I’ll always remember how our band teacher, Mr. Crocken, would begin every concert by reciting Psalm 150. Before any announcements or accolades, any thanks or congratulations, he would acknowledge the one from whom all our gifts and talents flow. Before all else, he gave a gentle but profound reminder of the importance of thanking God for our blessings at all times, especially through music.
 
As one would expect in a Catholic school, we began every meeting, whether a class, club, or team practice, with prayer. Our after-school drama club rehearsals were no different. Concluding prayer with the school’s traditional litany to our three patrons, the drama club also  always added Saints Genesius and Cecilia, the patrons of actors and musicians. I’d always wondered why Cecilia was patroness of musicians and, since her feast day is today, I finally investigated.
 
Saint Cecilia, one of the most venerated of the Roman martyrs, is most well known as patroness of musicians. Despite having consecrated her maidenhood to God, she married a man called Valerian. During their nuptial Mass, she sang to God in her heart, asking for an angel to protect her virginity. When Valerian asked his bride for proof that she was protected by an angel, Cecilia sent him to the Appian Way to be baptized. There, he saw the angel and quickly became an evangelist, converting many to the faith before being martyred some time later. Cecilia’s martyrdom soon followed, ministering to the poor even on her deathbed. Since her canonization, Cecilia has been very much defined by that story of her singing on her wedding day. There’s even a musical conservatory in Rome, one of the oldest in the world, named after her.
 
It’s always struck me how music is consistently referred to, particularly in Church circles, as a means by which to glorify and praise God. When I think of the moments when my soul has been most moved, they frequently involve music. Pieces like Handel’s Messiah, Mozart’s Requiem, and especially Schubert’s Ave Maria, move me even to tears more often than not. Why? They are beautiful works of art, to be sure, but the reasons they were written are far deeper. The composers used their craft to elevate the listener closer to God in a way that no other media seems able to match.
Pieces of music like those just mentioned seem to take root in people’s hearts in a very profound way. That’s why they’ve been integrated into everyday life over the ages. From the Gregorian Chant used in the Mass, to folk songs sung at table or around the fire, even to modern popular music, the common thread is that humanity is united by that universal language that speaks directly to the heart. In my own life, Handel’s Messiah is very dear to me. We sang it in choir when I was in college, I listen to it every year while trimming the Christmas Tree and “decking the halls”, and I join a group of friends every December 23rd for a sing-along performance at the Kennedy Center in Washington, DC. Something about the piece moves me in a way I can’t really explain. But that’s the beauty of music!
 
St. Cecilia gave thanks to the Lord in her heart and with her voice. This Thanksgiving, as we reflect on the blessings God has bestowed upon us this year, let us follow the example of St. Cecilia and the Psalms and join everything that has breath and praise the Lord.
 
St. Cecilia, pray for us!